
For those that didn’t read the first installment, here it is: http://scottchronicles.blogspot.com/2010/05/rise.html
So Crunk Whitey was now a band. With the confidence we had gained from the basement show, we decided that it was now time to play in front of people who weren’t obligated to cheer for us. There was a bar in Belleville called Main Street Jazz and Blues Bar (now known as Blue Agave) that Dan had become familiar with. He knew the owner and talked to him about the possibility of us playing there. The owner agreed and we had our first gig set.
Sort of
After we booked the show at Main Street J&B, we became aware of another show that may fit our style. The show was some sort of benefit that I can’t even remember now and was being held in a creepy bar in St Louis appropriately called the Creepy Crawl. We figured that this would be a good way for us to tune up for our show at Main Street J&B which would be a week later. We accepted the gig and we were ready to go. We practiced and practiced and were really psyched up about our little two week mini-tour.
Then Terry wanted his drums back
For whatever reason, Terry had agreed to sell his drums to one of his buddies even though we had an agreement that he would sell them to me as I made payments over time. This story and the details of it have been debated over and over again with no one really willing to admit who was right and who was wrong. It put a big strain on mine and Terry’s friendship for a long time, but that has since been resolved and is water under the bridge. But the bottom line is that he decided he wanted them back 3 days before our first show and seeing as they weren’t mine, I had to give them back which really put me in a bind. Luckily, I have the greatest wife in the world and she saw how much I was enjoying being in a band and, quite honestly, I think she enjoyed being the wife of a rockstar. She was kind enough to evaluate the situation and accompany me to Swing City music where we purchased my very own drum kit.
It was beautiful
Three days later, we got to our gig at the Creepy Crawl and played to a packed house of about 30 people. Given the fact that only one of the four of us had ever done this before, I think we did quite well. I was a little nervous about setting up my drum kit prior to playing and then tearing it down as soon as we were done so as not to upset the flow of the bands playing before and after us, but I managed. The nerves weren’t as bad as I thought they would be, and after our pre-show ritual of vodka and Stag, we were ready to go and, compared to the 3 or so acts we had seen up to that point (who ranged from odd to WTF?) we had so far stolen the show. We were ready for Main Street J&B.
But were they ready for us?
After us booking the gig but prior to the actual date of the extravaganza (thanks Liz), the bar had been sold. The new owners were more than willing to allow us to play, but they had no idea what they were getting themselves into. Seeing as that we’re dorks and accolade whores, we had invited everyone we had ever known who might have cared in the least bit that we were now in a band. We were calling people, sending e-mails, promoting on Myspace, and basically telling anyone who would listen that we were playing a show. As a result, we had an amazing turnout for our breaking out party. And, if you know our friends, you know they can drink.
Not only did the new owners have to deal with an understaffed bar, they also had to deal with a raucous band on stage, a group of our very thirsty friends, and the fact that their refrigeration system went out on their first night running the bar. They couldn’t have been happier. Rumor has it that the “Crunk Whitey” show was the benchmark for all future big nights at that bar for quite awhile. We have since been overtaken, but we were the darlings of the new owners for quite a while.
That show was amazing. We saw family, friends, and acquaintances that we really had no expectations of showing up. To say we were baffled and extremely grateful is an understatement. The outpouring of support at that show and all future shows still amazes me to this day. Whether we were good or bad (sometimes we were really, really good, but sometimes we were really bad too) we always had the support of our friends and family. If I haven’t thanked you all yet, please let me take this chance to do so. I think I can freely speak for Chris, Dan, and Duane when I say that you all made what we did up there so much fun for us. We couldn’t and wouldn’t have continued to do it without all of your love and encouragement. You were all as much a part of Crunk Whitey as we were.
After that show, we were flying high. I distinctly remember taking Tina for a walk (which I never do) the next morning with the hopes of being recognized as the drummer for that hot new band out of Belleville. I actually felt like a rock star. But, no one honked. Not at all. I don’t even think Tina cared that she was being walked by a music God.
Over the next couple of months, we were lucky enough to play a few more shows at various venues across the area. Mostly though, we stuck with Main Street J&B. They were good to us, our friends hung out there anyway, and we had built an extremely tiny fan base. It was a nice venue and we had a blast playing there. Plus they sold Stag.
That following winter, we decided that maybe it would be a good idea to record some of our songs. We had written a good chunk of our own songs at this point (most of our shows were 50% originals, 50% covers) and we were really tightening them up the more we played them. Chris contacted someone whom he’d been introduced to and we set up a time in January 2007 to record a 6 song CD. Recording the CD, however, wouldn’t be cheap. Chris, the dedicated bandmate that he is, offered to pay for the session and then we could repay him with the money from the CD sales and from money we collected during our live shows. No problem. We were guaranteed to make that money back in no time. The CD sales to just our friends and family plus the gate from the release party should pretty much pay him back entirely. We decided to do it.
We recorded the CD over the course of a weekend in the basement of a locally well known guitar player. It was painstaking at times (mostly because I laid the drum tracks down within the first two hours and then waited two whole days with nothing to do) but we got it done and it was off to the producer for mixing. Now, all it needed was a name.
I think it’s been clearly established that I am a dork. I make no attempts to hide that fact and almost wear it as a badge of honor. That being said, I figured that the best way for us to come up with the best album name was to do it NCAA style. I commissioned the guys to each come up with 16 album titles and then we’d add them at random to a 64 team grid that I had made. Some names were good, some were great, and some were just awful. Most were based on either inside jokes from our practice tapes or amusing plays on words (fond mammories). Either way, we did the tournament by voting on each one individually. It took an entire evening, but we finally whittled it down to a name that sounds kind of silly to anyone else but makes us laugh everytime:
Membrane
I won’t go through all of the issues that came up during the printing and duplication of the CDs and their cases, but let’s just say it was a nightmare and it came down to the day of our CD release party until they were completed. Either way, we got them done and Crunk Whitey had CDs.
We expected a pretty big crowd for our CD release party so we decided that we’d go back to our old faithful – Main Street J&B which was now operating officially under the name of Blue Agave. We set up a table at the door for our buddy Mike to collect money and sell our CDs. We were really excited about this and couldn’t wait to see what kind of crowd we’d bring in.
We drew a large crowd, but nothing like we had at earlier shows. Plus a lot of them didn’t buy the CD. We weren’t upset by any means because we played a great show (thanks in large part to the warm up gig we’d played the night before to an audience of 7) and had a great time, but we also didn’t make a lot of money to pay Chris back. We felt bad but were determined to make up the difference.
Now, around this time, Carol was about 6 months pregnant with Ben. Duane and his wife had also just announced that they were also expecting. There were two future Crunk Whitey members coming along and things began to change. I wanted to be at home a lot more with Carol because I was already going out way more often than I should. I wanted and needed to be there for her in case she needed anything. Plus, even though it rarely stopped me, I felt bad going out knowing that she would be sitting at home alone.
The conflict with this was that in order to sell CDs (we had about 500 of them made) we needed to play gigs. In order to play gigs, I needed to be gone from the house while Carol was there by herself and pregnant. I was having a difficult time with this because I loved playing in the band and I loved hanging out with my friends. I also loved Carol and wanted to be home with her. The combination of these two things twisted me up inside. I ended up feeling trapped while I was at home because I wanted to be out with the band, but also trapped while with the band because I felt almost as if I was required to be there. That feeling of requirement almost made it seem like a job which is the exact opposite of how a basement band from Belleville should feel. Seeing what my true priorities should be, I slowly began to back away from Crunk Whitey.
We played a few more gigs and had a lot of fun. Carol had a due date in early May and the band decided that we’d book a few more gigs and then cool it for awhile after Carol had the baby. Maybe we’d come back, maybe we wouldn’t, but we were definitely going to take some time off and get our heads about us. One of our last gigs was in the basement of Panorama bowl in Belleville. It wasn’t a bad show by any means, but towards the end I had the feeling as if this might be the end for Crunk Whitey. Maybe it was me making up my mind (which I hoped not because we still had another gig planned) or maybe it was a sign that something was going to happen to change things, but I felt that way and was sad yet relieved at the end of the show.
Needless to say, something did happen. Something big. Ben came into this world on April 18, 2007 – three weeks earlier than expected. We had a gig scheduled for the following Friday, but that should have been no problem seeing as we would have had Ben at home for at least a week at that point. The problem came when Ben had to go to the NICU at Cardinal Glennon for a week after he was born. It was rough week on both Carol and I, but we got through it together and were told that we’d get to bring Ben home on that following Friday – the day of our last show.
I called the guys and apologized but told them I would not be able to make it. It killed me, but some things are just more important. I so badly wanted to spend time at home with my new son that you couldn’t have dragged me away with wild horses. Carol knew how much the last show meant to me and even told me to go play, but I couldn’t do it. As a result, the guys played an acoustic show which I heard was pretty cool. Crunk Whitey was officially on hiatus.
But something didn’t set right with me. As time went on and things changed for everyone, it slowly began to look like Crunk Whitey may never play again. We’d talk about a show, but it would never come to fruition. We’d talk about getting together for a practice/drinking session, but things always came up and we’d have to cancel. I was okay with not being a “band” again as my priorities had shifted greatly, but something stuck with me about CW playing a gig, its last gig, without me. Maybe I’m selfish (okay, I know I’m selfish) but that didn’t seem right.
After talking with the guys who were more than willing to do so, we decided to book a reunion/farewell show at the Blue Agave. We practiced, learned a new song or two, and got ready to play. When that night came, I couldn’t wait. We got on stage after nearly two years away from it – and we rocked. It felt great. It felt right. It felt complete. I was up there with three of my best friends and we had as much fun as four guys can legally have. We were now retired as a band and I had closure.
As per the norm with CW, that wouldn’t do though. About a year later, we discussed another reunion show, but the hassles of working out a time when all four of us would be available to practice was getting to me. Duane now lived in Missouri with his wife and son, Dan now lived in Breese, and Ben had an early bedtime. Chris was very flexible, but it seemed like whenever three of us could practice, the fourth couldn’t. Maybe it was the hassles of getting the practice together, maybe it was the fact that I was being a brat because nobody could meet MY schedule, but I started looking at the big picture and realized that I didn’t care if we didn’t practice. I didn’t care if we actually played the show. Bottom line, I didn’t care about CW anymore.
With a heavy heart, I sent out a group email to the guys and told them of my decision to quit the band. I didn’t want to talk about any more reunion shows or practices and I figured the best way was to just quit. If they wanted to find a new drummer (with more than the one beat that I still hadn’t switched from) I would be more than supportive and would love to see them play sometime. Nobody felt that the band would be the same with anyone other than the four of us in it though, so the decision was made at that point to pretty much end Crunk Whitey.
Crunk Whitey had a short, but excellent run and I feel closer to my bandmates for having shared that experience with them. It was one of the most exciting times of my life and I’m not sure I’ll ever be able to duplicate the feelings that I experienced not only on stage, but also just practicing in my basement with those guys. It was a sense of camaraderie and oneness that I can’t even begin to explain. When we were on, we were on and it struck the room like a bolt of lightning. I love those guys and still miss it to this day, but we’ve all moved on and Crunk Whitey as a musical band is no more. Crunk Whitey the legend, however, will live on forever.
Maybe even for one more show.
Is that vodka and Stag that I smell?